Sugar Rush is a performance project that through the medium of movement and music aims to invoke unbearable sweetness of a shared community - a memory of a paradise that never really existed and yet it is forever lost.

Wanda & Nova deViator (Maja Delak & Luka Prinčič) are an artistic duo that works with variety of media (performance, sound, video, physical computing, texts, situations) in order to research and reflect the state of contemporary living. Their collaboration started in 2009.

Post-Graduate Gathering (P.G.G.); Artistic evening of six generations of graduates of the programme contemporary dance at the Pre-School Education and Grammar School, Ljubljana + a solo performance by the third-year student of the program.

The project Pre-Premiere – evening of young dancers of the Pre-School Education and Grammar School Ljubljana, module contemporary dance – is an event that takes place every year since 2003 in the frame of school activities and presents the final presentation of students and graduates of the school.

Taking up the various meanings of the word, the performance sketch Marzipan or Plexi by Marijs Boulogne tells of the friendship of a pregnant girl with a mermaid, of the life of sea creatures in a gigantic deep-sea aquarium and of desires, symbiosis and sexuality.

Performance researches, investigates and formulates a language of two authors with different formal backgrounds and experiences. The process and the product centre on the intimacy created in this particular encounter.

In his solo performance Sad Sam Almost 6 Matija Ferlin wants to investigate a mind of a child that is not conditioned by anything, not even by his own existence. While growing up, the conscience of the existence creates numerous “terrorizing” facts that are results of social conditions and constraints.

The Republic or Bon Voyage Greta Garbo is a testing ground of desire. The body follows its own interests, tailors its identities, solves the consequences of rejections and searches for a space to express the repressed.

The starting points of the performance are expressionist piano compositions, full of fragments and complex dynamics, entitled Bagatelles, by Slovene composer Marij Kogoj. Besides Kogoj, the performance is informed by another avantgarde creator, the theatre director Ferdo Delak and his project Serata artistica giovanile, which he understood as »the chorographical sketch of a life on stage«.