
Jan Rozman’s performance questions the autonomy of bodies in surveillance capitalism through a choreographic intervention in a stand-up format.
Maja Delak's performance (based on the text by Jordan Tannahill) is conceived as a composition of movement, an ode to life, an archive of fleeting moments, develops as a lyrical inventory of the banal and everyday, where every detail is imbued with a quiet meaning, memory and the ineffable beauty of everyday life.