Oona Doherty (IE): To unlock the valves of feeling
the workshop will develop the body's relationship to imagination
Agon
AGON programme is an informal education, research and self-development programme in the field of contemporary dance and performing arts.
The aim is to offer workshops and classes for performers in order to give support for artists that nowdays need master different techniques and modes of expression in order to attain a free and contemporary artistic expression. Agon offers situations of research and collaboration, through which participants gain multilayered knowledge, while at the same time it encourages them to connect and integrate different contents. Through dialogue, exchanges and collaboration, Agon provides improvement in technical mastery of skills and in development of participants’ creative potential.
Irena Tomažin Zagoričnik (SI): Voice workshop (2017/18)
in the May-June cycle of the workshop, we will work more thoroughly on the interpretation of text and on specific songs
Simone Aughterlony: (NZ/CH/DE): Everything fits in the room
This workshop proposes a discussion around architectures for dwelling and practice, an inclusive methodology that locates ways in which we begin to navigate the un-governability of all elements and potentially disruptive information associated with the maintenance of juxtaposing energies.
Hahn Rowe (US): Sound in performance
A one-day workshop is designed for choreographers/dancers and musicians/sound artists interested in examining the ways we view and implement sound in performance.
Irena Tomažin (SI): Voice workshop (2015/16)
Vocal workshop is a weekly workshop for anyone interested in vocal research and expression. Experiences are not requested, regular participation is recommanded.
Vincent Cacialano (US/GB): Experiential Anatomy
Experiential Anatomy - through Body Movement and Alignment Theory and Practice.
Matija Ferlin (HR): Equalizing togetherness
A research of different types of togetherness and spatial compositional awareness within a group.
Jurij Konjar (SI): Still
The principle and the vocabulary of »Still« build on working experience with Lisa Nelson and the Tuning Ensemble, focusing on Nelson's Tuning Practice.
Gregor Luštek (SI): Hearing dance
The workshop is based on developing three principles: That's it. Nothing more; Three roles; and Gibberish.